Amrita Hepi, The Pace, 2018, Single Channel video installation. Co-commissioned by Cement Fondu, for The Ropes, Amrita Hepi X Adrian Piper; and The Lock Up

Amrita Hepi is a first nations choreographer and dancer from Bundjulung (Aus) and Ngapuhi (NZ) territories. Amrita trained at the National Aboriginal Islander Skills Development Association (NAISDA) dance college and Alvin Ailey American Dance School, New York.

As an artist she pushes the barriers of intersectionality and makes work that garners multiple access points through allegories. Her practice at present is interested in probing ideas of authenticity, the perpetuation of culture, tradition, and a ‘decolonial imagination’ - questioning where this now resides.

Her reach expands beyond the stage and includes public spaces, night clubs and various other forms and mediums including film, installation, text, sculpture and lecture. Her social media reach is also extensive, using those spaces to profile important conversations and her dance practice.

Amrita has worked with Victoria Chiu, Marrugeku, Melanie Lane & Amos Gerbrahnt, Bhenji Ra and Force Majeure. In 2018 she was the recipient of the People's Choice Award for the Keir Choreographic award and was named one of Forbes Asia's 30 under 30. Amrita has also worked in various commercial capacities, having been commissioned by ASOS global to create and choreograph film works and has be featured globally in Vogue USA, TeenVogue USA, Instyle, Harpers Bazar and PAPER US.

Amrita can now be seen at Sydney Festival , in Cement Fondu's second annual pairing of an esteemed International artist with an Australian early career artist. This exhibition presents a new video installation by Amrita, with a selection of video works by Adrian Piper.

Amrita Hepi’s video installation The Pace (2018) proposes skipping as a new choreographic tool to draw upon the powerful connections between the skilful command of the body and rope with other social and cultural practices, particularly the First Nations art of weaving.

In this interview we discuss Amrita’s practice and where dancing originated, we discuss the role of dance in society and how to have difficult conversations, alongside a range of other topics.

Summary of Amrita’s busy 2019 schedule:

January

Sydney Festival, The Ropes: Amrita Hepi X Adrian Piper (at Cement Fondu) January 11 to February 24

Arts Centre Melbourne, presenting A Call to Dance

February/March

The National 2019, new work The Tender - A performance installation commissioned by AGNSW

Womadelaide - presenting Power Moves for Perilous times

Dance Massive - Le Dernier Appel with Marrgeku

Castlemaine Festival – presenting Deep Soulful Sweats

May

P.I.C.A (Perth Institute of Contemporary Art), presenting A Call to Dance.

June

The National 2019 new work, The Tender, a performance installation commissioned by AGNSW (Performance 3)

Theater Formen Festival Braushweig Germany, presenting A Call to Dance

Origins Festival London Southbank Centre, presenting A Call to Dance

August

Tour of Le Denier Appel with Marrugeku:

- Tanz Im August - Berlin Germany

- Theatre Challoit Festival - Paris France

- TanzZurich Festival - Zurich Switzerland

- Grec Festival de Barcelona - Barcelona Spain

October

Nelson Arts Festival New Zealand + Tauranga Arts Festival, presenting A Call to Dance

You can find Amrita on Instagram, Twitter and Facebook.

This is the last episode of season 8. The next season will present the voices of First Nations Australian dance arts in a partnership with BlakDance. This season will focus on the important First Nations Dialogues that occurred in New York in early January.