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Delving into Dance

Exploring the world of Dance!
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Dalisa Pigram - Transcript

October 17, 2022

‘The challenge has been to create these processes that we can carry Country with us. So whether we’re, you know, performing internationally or you know on other people’s Country here in Australia, we’re carrying part of that - that process is always with us. So if it was a production that’s had choreographic processes that have been out on a specific site or a place that that has given us material, we carry that with us.’

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In Season Thirteen
Daniel Riley, stands looking towards the camera, hands clasped in front of his body, wearing a black linen shirt with the sleeves rolled up.

Daniel Riley - Transcript

October 17, 2022

‘My daughter Billie, she was in rehearsal today. My son Archie grew up the first two or three years of his life, like, on tour with me when I was with Bangarra Dance Theatre and just being in the artistic environment and being surrounded by people is such a beautiful gift, I think, that I can give to them as well.’

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In Season Thirteen
Antony Hamilton, stands in a rehearsal room, looking off to the side. Looking at a lard set piece out of frame.

Antony Hamilton Photo by Peter Rosetzky

Antony Hamilton - Transcript

October 17, 2022

‘When I'm making dance and when I think about choreography or art, I often relate my early childhood experiences to the things that I make now as well.’

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In Season Thirteen
Alice Topp sits against a grey background,  wearing a black singlet and looking towards the camera. Her long hair sits over her shoulders.

Alice Topp - Transcript

October 17, 2022

‘I guess for a lot of people, ballet is still very much an evolving, developing language. I think people think it was probably stuck in a time and hasn't progressed. But modern ballet is very challenging and arresting and it's finding new ways of working with an old structure.’

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In Season Thirteen

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