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Daniel Riley, stands looking towards the camera, hands clasped in front of his body, wearing a black linen shirt with the sleeves rolled up.

Daniel Riley, Artistic Director Australian Dance Theatre (ADT). Image Credit: © Jonathan VDK

Daniel Riley

October 17, 2022

‘My daughter Billie, she was in rehearsal today. My son Archie grew up the first two or three years of his life, like, on tour with me when I was with Bangarra Dance Theatre and just being in the artistic environment and being surrounded by people is such a beautiful gift, I think, that I can give to them as well.’

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In Season Thirteen, Artistic Director Tags Australian Dance Theatre, Australian Ballet, DanceX
credit: Fieldworks.JPG

credit: Fieldworks.JPG

Elizabeth Cameron Dalman

September 17, 2017

Elizabeth Cameron Dalman has frequently been described as the high priestess of Australian dance.  Elizabeth trained in both classical ballet and modern dance with Nora Stewart, later obtaining a Masters of Creative Arts degree from University of Wollongong.

Elizabeth left Australia in 1957, continuing her studies in Europe, London and New York.  She studied with Martha Graham, James Truitte, Murray Louis and Alwin Nikilais.

In 1965, Elizabeth founded the Australian Dance Theatre. As the artistic director she introduced Australian audiences to a diverse range of works including: Hallucinations (1966), This Train (1966), Landscape (1967), Sundown (1967), Sun and Moon (1968), Homage to Boticelli (1969), Creation (1969), and Release of an Oath (1972).  The company toured internationally, including to Italy, Switzerland and Holland (1968), through South East Asia, India and Papua New Guinea (1971), and to New Zealand (1972).

Her works were innovative and often controversial, introducing her dancers to visual artists, composers, writers and a range of other artistic disciplines. These types of collaborations were unique for their time, challenging preconceptions about dance as an art form and what was possible into the future.

In 1975, Elizabeth’s career changed sudden change in ADT restructuring and became an independent artist throughout Europe for 10 years.

Elizabeth has continued dancing and challenging ideas that dance is just for the young.  Elizabeth is a central feature in Sue Healey’s incredible film En Route. Elizabeth is currently Director of Mirramu Creative Arts Centre and also the Artistic Director of Mirramu Dance Company and WEEREEWA – a Festival of Lake George Inc.

Elizabeth completed her doctorate at the University of Western Sydney in 2012 with a thesis entitled The Quest for an Australian Dance Theatre.

Elizabeth was awarded an OAM in 1995 for her contribution to contemporary dance in Australia and received a Lifetime Achievement Award at the Australian Dance Awards in 1997.

Activist, visionary and all-round inspiration.

Read more:

Enaging Women

Read more about female leadership in dance from Jordan Beth Vincent.

Elizabeth’s legacy can be seen in these artists that have had careers at ADT.
Daniel Riley
Daniel Riley
Elizabeth Cameron Dalman
Elizabeth Cameron Dalman
Samantha Hines
Samantha Hines
Thomas Fonua
Thomas Fonua
Meryl Tankard
Meryl Tankard
Daniel Jaber
Daniel Jaber

This season produced in partnership with Ausdance Victoria. This episode is part of a special season Ancestors & Anecdotes, in partnership with Ausdance Victoria. Find the other episodes here. 

If you have enjoyed this episode and you want to continue to hear a diversity of dancers and dance makers experiences, leave a contribution.  With arts journalism around the world in decline, now more than ever, platforms like Delving into Dance are critical in providing artists a space to talk about their work to a dedicated audience, while also archiving their experiences.

In Season Four Tags choreographer, Dancer, Australian Dance Theatre
Photo Amber Haines

Photo Amber Haines

Samantha Hines

August 30, 2017

“the weirder you are the more unique you move, the more you are going to get hired for that role”

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In Dancer, Season Three Tags dancer, Dancenorth, New Zealand School of Dance, Australian Dance Theatre
Thomas Fonua

"Being Indigenous now means you are influenced by not only your traditional heritage but by pop culture, western education, sexuality … there are so many things that influence us now as Indigenous peoples. So from my point of view, that’s where my work comes from, that point of diversity"

Thomas Fonua

August 1, 2017

"Being Indigenous now means you are influenced by not only your traditional heritage but by pop culture, western education, sexuality … there are so many things that influence us now as Indigenous peoples. So from my point of view, that’s where my work comes from, that point of diversity

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In Dancer, Season Three Tags Australian Dance Theatre, First Nations, Dancer, Queer
Meryl Tankard

Meryl Tankard

May 25, 2017

“People say to me, ‘are you still dancing’, and I go ‘well what is dancing? What does dancing mean, I go into the studio and put music on?’ Maybe I dance when I play with my niece. […] we are sort of dancing everyday aren’t we?”

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In Choreographer, Season Two Tags Pina Bausch, Australian Dance Theatre, choreographer
Daniel Jaber

Daniel Jaber

April 4, 2017

“Movement gave me a greater sense of freedom and expression.”

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In Choreographer, Dancer, Season Two Tags Australian Dance Theatre, Dance Moms, Dance Film, Dancer, choreographer, queer, dance teacher

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